A saber

OU POR VENUSIANOS CADA POVO É LIVRE DE REFERENDAR SOBRE OS MORES

CÁ POR MIM ATÉ AS PODIAM ASSAR NAS FOGUEIRAS

Swamp[edit]

In 1918, chemist Svante Arrhenius, deciding that Venus’ cloud cover was necessarily water, decreed in The Destinies of the Stars that “A very great part of the surface of Venus is no doubt covered with swamps” and compared Venus’ humidity to the tropical rain forests of the Congo. Venus thus became, until the early 1960s, a place for science fiction writers to place all manner of unusual life forms, from quasi-dinosaurs to intelligent carnivorous plants. Comparisons often referred to Earth in the Carboniferous period.
In the 1930s, Edgar Rice Burroughs wrote the “sword-and-planet” style “Venus series”, set on a fictionalized version of Venus known as Amtor. In Olaf Stapledon’s 1930 science fiction novel Last and First Men, humanity is forced to migrate to Venus hundreds of millions of years in the future when astronomical calculations show that the Moon will soon spiral down to crash into Earth. Stapledon describes Venus as being mostly ocean and having fierce tropical storms. The Venus of Robert Heinlein’s Future History series and Henry Kuttner’s Fury resembled Arrhenius’ vision of Venus. Ray Bradbury’s short stories “The Long Rain” and “All Summer in a Day” also depicted Venus as a habitable planet with incessant rain. In Germany, the Perry Rhodan novels used the vision of Venus as a jungle world. Works such as C. S. Lewis’s 1943 Perelandra and Isaac Asimov’s 1954 Lucky Starr and the Oceans of Venus drew from a vision of a Cambrian-like Venus covered by a near-planet-wide ocean filled with exotic aquatic life.[1]
Desert[edit]

Descriptions of a hot, humid planet were already considered scientifically doubtful as early as 1922, when Charles Edward St. John and Seth B. Nicholson, failing to detect the spectroscopic signs of oxygen or water in the atmosphere, proposed a dusty, windy desert Venus. The model of a planet covered in clouds of polymeric formaldehyde dust was never as popular as a swamp or jungle, but featured in several notable stories, like Poul Anderson’s The Big Rain (1954), and Frederik Pohl and Cyril M. Kornbluth’s novel The Space Merchants (1953).
However, the more optimistic notions of Venus were not definitely disproved until the first space probes were sent to Venus. Data from the fly-by of Mariner 2 (December 1962) as well as radio astronomy from the same time pointed to a hot, dry Venus, but as late as 1964, Soviet scientists were still designing Venus probes for the possibility of landing in liquid water.[2] It was not until Venera 4 and Mariner 5 reached Venus (October 18–19, 1967) that it was confirmed beyond doubt that Venus was actually an extremely hot, dry desert with a lot of sulfuric acid in its atmosphere. Stories about wet tropical Venus vanished at that point,[3] except for intentionally nostalgic “retro-sf”, a passing which Brian Aldiss and Harry Harrison marked with their 1968 anthology Farewell Fantastic Venus.
As scientific knowledge of Venus advanced, so science fiction authors endeavored to keep pace, particularly by conjecturing human attempts to terraform Venus.[4] For instance James E. Gunn’s 1955 novella “The Naked Sky”[5] (retitled the “The Joy Ride”) starts on a partial terraformed Venus where the colonists live underground to get away from the still deadly atmosphere. Arthur C. Clarke’s 1997 novel 3001: The Final Odyssey, for example, postulates humans lowering Venus’s temperature by steering cometary fragments to impact its surface. A terraformed Venus is the setting for a number of diverse works of fiction that have included Star Trek, Exosquad, the German language Mark Brandis series and the manga Venus Wars. In L. Neil Smith’s Gallatin Universe novel The Venus Belt, Venus was broken apart by a massive man-made projectile to form a second asteroid belt suitable for commercial exploitation.
Stories set on Venus[edit]

The following list divides stories about Venus into those which reflect the older view of Venus, and the more accurate ones reflecting Venus science since the mid-1960s.
“Old Venus”[edit]
Achille Eyraud’s Voyage to Venus (1865), where humans travels to Venus in a spaceship propelled by a reaction motor.[6][7]
The anonymous The Great Romance (1881) another early SF account of a trip to Venus.
Gustavus W. Pope’s Journey to Venus (1895) provides a flight, by Earthmen and Martians, to a Venus of dinosaurian monsters.
In John Munro’s A Trip to Venus (1897), the narrator, an engineer, an astronomer and his daughter travel by a newly invented flying machine to Venus and Mercury. On Venus they find a Utopian civilization, and the narrator falls in love.
Fred T. Jane’s To Venus in Five Seconds (1897) is a satire and parody of the popular fiction of its era; it features Venusian natives that blend the characteristics of elephants and horse-flies.
Garrett P. Serviss’ A Columbus of Space (1909) is the story of an inventor called Edmund Stonewall who travels to Venus in an atomic powered spaceship. Two species turns out to live on the planet, both telepathic; cave dwelling an ape-like tribes with a black head and white body, and humanoids that looks like tall and blonde Englishmen who lives in a floating city suspended by balloons.
Ralph Milne Farley’s Radio Man series (1924-1955). In Farley’s stories, where a man from earth is teleported to Venus, the planet has boiling oceans but has habitable landmasses populated by a humanoid race with blonde hair and blue eyes, and a pair of vestigal wings on their back. Being both deaf and earless, they communicate through antenna on their heads.[8]
The Radio Man (1924)
The Radio Beasts (1925)
The Radio Planet (1926)
The Radio Menace (1930)
The Radio Minds of Mars (1955)
In Otis Adelbert Kline’s Planet of Peril (written 1922, published 1929), hero Robert Grandon is telepathically transported into the mind of a Venusian. This was one of the first science fiction stories to send a character particularly to Venus. It was followed by two sequels set on Venus (The Prince of Peril, 1930 and ”The Port of Peril, 1932). These were weak imitations of Edgar Rice Burroughs’ Mars novels.
In Olaf Stapledon’s Last and First Men (1930), human beings fleeing a dying Earth perpetrate genocide on Venus and completely exterminate its aquatic intelligent species. Their descendants many millennia later live in the planet’s oceanic idyll and biologically evolve into bird-men having the power of flight.
In John W. Campbell’s The Black Star Passes (1930, republished 1953), Venus is the home of an advanced civilization that creates enormous aircraft, among other things. There are two large continents on Venus called Lanor and Kaxor, one centered on each pole.
In Edgar Rice Burroughs’ Venus series (1934–1946) Venus is a tropical world shielded from the heat of the sun by a perpetual cloud cover, home to a humanoid race whose technology is advanced in some respects and retarded in others. The native name is Amtor, and the portion depicted, largely confined to the southern hemisphere’s temperate zone, is primarily oceanic, but includes two forested continents and a number of large islands. The series features hero Carson Napier, who engages in derring-do and the rescue of princesses amid vicious political struggles.[9]
In Stanley G. Weinbaum’s “Parasite Planet” and “The Lotus Eaters” (1935), Venus is tidally locked, with a barren sunside, a tropical twilight zone inhabited by parasitic life-forms, and a frozen nightside.
H. P. Lovecraft and Kenneth Sterling’s “In the Walls of Eryx” (1939) takes place on a muddy jungle Venus inhabited by lizard-men. (Unlike many other Lovecraft stories, it is not part of the Cthulhu Mythos.)
In Leigh Brackett’s short stories (1940–1949), including “Lorelei of the Red Mist”, “The Moon That Vanished”, and “Enchantress of Venus”, Venus is warm, wet, and cloudy; most of its surface is ocean or low-lying swamp, both of which are filled with exotic forms of life, including a large number of alien species.
In Robert A. Heinlein’s Future History series, Venus is portrayed as a world covered entirely in hot, steamy swamps, which are used to explain the constant, unyielding cloud cover. Humans can live on Venus, but they find it very uncomfortable, and the few who settle there mainly are there for growing and harvesting local crops for export. The native Venusians are a primitive, yet peaceful people who tolerate humanity’s presence and colonization.
Logic of Empire (1941). An Earthman is enslaved on Venus.
Space Cadet (1948). Depicts a confrontation with ordinarily peaceful Venusians who inhabit a steamy, jungle-covered Venus.
Between Planets (1951). A war for independence erupts between Earth and colonists and natives of Venus. The protagonist joins the Venus side.
Podkayne of Mars (1962), a spaceliner en route from Mars to Earth makes a stop at Venus, which is depicted as a latter-day Las Vegas gone ultra-capitalistic, controlled by a single corporation. Almost the last half of the novel takes place on Venus.
In C. S. Lewis’s Perelandra (1943), the second book in science fiction Space Trilogy, the scene is the planet Venus, described as a sort of paradise, where fabulous animals live, along with the King and Queen, Green humanoids. In Lewis’ description the whole surface of Venus is covered by ocean upon which are free-floating rafts of vegetation large enough to support animal life; with the exception of a single mountainous land-mass. Much like Maxwell Montes. The main character, Elwin Ransom acts as Maleldil’s emissary in a second “Garden of Eden” situation. The Oyarsa of Venus is feminine, like the Classical goddess Venus.
In Henry Kuttner and C. L. Moore’s Clash by Night (1943), classic of military sci-fi, the Fourth Millennium humanity, after the destruction of Earth due to atomic energy, refuged on Venus within submarine city-states, which hired mercenary companies and their battle fleets to fight their wars on the waters of the planet, away from civilians. The mainland is – apart from the mercenary strongholds – uninhabitable, covered by a dense and lethal jungle dominated by poisonous fauna and flora, with huge and fierce reptiles. In the novel Fury (1947), set several centuries later, the mercenary have disappeared, and the now united underwater Reserves are dominated by a small elite of rich Immortals. Human civilization is in full stagnation, and would be extinct within a few centuries, when the protagonist of the novel promotes a “crusade” to colonize the surface. In David Drake’s Seas of Venus the author revisits the Venus of Fury for two more adventures of the mercenary companies.
In C.L. Moore’s Northwest Smith stories, Smith occasionally visits a dark, swampy, decadent Venus (whose pale women are described as the most beautiful in the system). His best friend is the equally-amoral Venerian Yarol.
“Venus and the Seven Sexes” (1947) by William Tenn.
In A. E. van Vogt’s The World of Null-A (1948) and The Players of Null-A (1956), Venus in the far future is terraformed into a paradise where immigration from Earth is strictly controlled. The trees are all giants, with massive leaves to hold back the torrential rains.
In Jack Williamson’s Seetee Ship (1949) and Seetee Shock (1950), Venus is colonized by China, in cooperation with some colonists from Japan and other East Asian countries, who all find the climate of Venus (as conceived here) congenial for the growing of rice. The Chinese transfer the seat of their government to Venus after the United States builds a nuclear base on the Moon, which enables the Americans to dominate the whole of Earth. The Asian-colonized Venus is one of the main powers contending for control of the mineral wealth of the Asteroid Belt.
In Stanisław Lem’s book Astronauci (The Astronauts) (1951) it is a post-apocalyptic dead world (see film section for details).
One of the Tom Corbett, Space Cadet books, “The Revolt on Venus” (1954) depicts a jungle-covered world with huge trees and large plantations.
In Ray Bradbury’s “Death-by-Rain” (1950), a short story later published as “The Long Rain” in the 1951 short story collection The Illustrated Man, four astronauts search for a man-made shelter, called a “sun dome”, on the surface of Venus, as it never stops raining. In a film adaptation, the planet is not identified as Venus.
In Frederik Pohl and C.M. Kornbluth’s The Space Merchants (1953), Venus is portrayed as a steamy jungle world, on which a former executive is enslaved on a Chlorella plantation.
In The Duplicated Man (1953) by James Blish and Robert Lowndes, Earth is at war with Venus, and a pacifist scientist discovers a human duplication machine. But it only makes five copies at a time. If he can duplicate the right world leaders, he might be able to bring about peace.
In Isaac Asimov’s Lucky Starr and the Oceans of Venus (1954), a juvenile novel, Venus is covered by a worldwide ocean with human colonies located on the seafloor.
In Ray Bradbury’s “All Summer in a Day” (1954), a short story later published in the 1959 collection A Medicine for Melancholy, the sun is seen for only an hour every seven years in a colony on Venus where it is constantly raining.
In Poul Anderson’s 1954 novella The Big Rain published in the 1981 collection The Psychotechnic League, Venus is a harsh, waterless world under a brutal dictatorship.
In Boris and Arkady Strugatsky’s Noon Universe stories, Venus is depicted as an extremely harsh planet covered by strange flora and fauna but also very rich in minerals and heavy metals. The Land of Crimson Clouds (Russian: Strana Bagrovykh Tuch, 1959) describes the first successful manned mission to Venus, although a full-scaled colonization of the planet was not initiated until much later (in 2119; see Noon: 22nd Century).
In Philippe Curval’s 1960 novel Les Fleurs de Vénus, Venus is a luxuriant (but deadly toxic at night) paradise inhabited by peaceful noble savages. The Humans tried to colonize it but with little success.
In some of the early Perry Rhodan stories (1961–1962), Venus is a jungle world inhabited by dinosaurs and other monstrous creatures and is the site of a huge, ancient alien fortress.
Roger Zelazny’s The Doors of His Face, the Lamps of His Mouth (1965) describes an oceanic Venus complete with monstrous fish-like creatures is invoked, despite then-recent evidence contradicting this image of Venus.
The short story anthology Farewell Fantastic Venus (1968) responded to the recent discoveries with fiction from a time when men still believed Venus could host life.
S. M. Stirling’s The Sky People (2006) restores the traditional oceanic and Mesozoic Venus by postulating an alternate universe in which Venus was terraformed and given a shorter solar day 200 million years ago by an unknown alien intelligence; Venus was then populated with wave after wave of terrestrial species ranging from dinosaurs to Neanderthals and several different populations of humans. Discovery of the Earthlike conditions prevailing on Venus led to a sped-up Space-Race and Terran settlements by the second half of the 20th century.
Stephen King’s short story “The Cursed Expedition” detailed a Venus that was alive and ate starships.
“New Venus”[edit]
James E. Gunn’s 1955 novella “The Naked Sky” (published in Startling Stories Fall 1955 and retitled “The Joy Ride”) starts on a partially terraformed Venus that had been “embalmed at birth, shrouded in stifling clouds of carbon dioxide, hydrochloric and hydrofluoric acids. Beneath those miles of poisonous clouds, Man found a desert where nothing lived, where nothing could live. The vital ingredients were missing: free water, free oxygen. What it offered were unbearable pressures and burning temperatures.”
In Larry Niven’s “Becalmed in Hell” (1965), a spaceship exploring the atmosphere of Venus lands to fix a problem. One of the earliest stories to reflect the newer understanding of Venus’ high surface temperatures.
In Frederik Pohl’s The Merchants of Venus (1972), Pohl made a meticulous effort to present a plausible way for human colonization of Venus, under the conditions revealed by probes. In this story, Venus had been settled in the distant past by mysterious aliens which humans called Heechee. (No one knew what they called themselves.) They left behind various artifacts as well as tunnels and underground chambers which could be adapted to human use, which both considerably reduced the price of colonization and provided a strong economic incentive as Heecheee artifacts fetched high prices. This led to the growth of a culture of prospectors and adventurers, somewhat reminiscent of the California and Klondike gold rush (which more often inspires stories set in the asteroids). This became the basis for Pohl’s celebrated Heechee Series, where the search for Heechee artifacts and the Heechee themselves goes deeper and deeper into space, and meanwhile human-settled Venus has become a sovereign state and a major power.
In John Varley’s “In the Bowl”, humans use advanced technology to live on Venus.
In Pamela Sargent’s Venus series, Venus of Dreams (1986), Venus of Shadows (1988), and Child of Venus (2001), the setting is provided by the terraforming of Venus.
In Frank Herbert’s Man of Two Worlds (1986), part of the story takes place on Venus, with a war occurring on the planet between the French (and their Foreign Legion) and the Chinese. Foot soldiers on both sides wear armored suits made of inceram, an incredibly heat-resistant material, to protect them from the planet’s surface temperatures. Any damage to a soldier’s armor which allows the Venusian atmosphere inside results in his body literally boiling into vapor.
Paul Preuss’ Venus Prime second book Maëlström (1988), is set on Venus.
In Ben Bova’s novel Venus (2000), part of his Grand Tour series, a scientifically accurate depiction of the planet is offered. Two competing manned expeditions are sent there to recover the body of an astronaut whose previous mission failed for unknown reasons.
In Sarah Zettel’s The Quiet Invasion (2000), exploration on Venus leads to the discovery of an alien species.
In the Mark Brandis Space Partisans universe, mankind in the late 21st century has managed to terraform Venus to host a colony of cities, each covered by massive transparent domes containing a breathable atmosphere and protecting from the heat. The colony had been a former Gulag-type penitentiary and the domes had been built by the prisoners.
In Kim Stanley Robinson’s 2312 (2012), the terraforming of Venus is being led by the Chinese, who have installed a giant parasol to block the sun’s heat, and have broken up Saturn’s ice moon Dione and crashed it into Venus’s surface. As a result, the planet is cooling and has accumulated a blanket of ice.
Other fictional references to Venus[edit]
In H. G. Wells’ The War of the Worlds (1898), the narrator states in the epilogue that he believes that the Martians may have landed on Venus after the failed invasion of Earth. Ironically, the first film adaptation of the novel, The War of the Worlds, opens with an exposition on the Martian studies of all the planets in the solar system, with the exception of Venus, before selecting Earth.
The War of the Wenuses (1898) by E. V. Lucas with C. L. Graves(Charles Larcom Graves) is in fact a parody of H G Wells’s The War of the Worlds.
In J. R. R. Tolkien’s Middle-earth stories, Venus is the Star of Eärendil. The star was created when Eärendil the Mariner was set in the sky on his ship, with a Silmaril bound to his brow. Elements of this story go back as far as 1914, though they did not appear in print until 1954. Tolkien chose the name directly from the Old English word Earendel, used as the name of a star (perhaps the morning star, Venus).
In Hugh Walters’ young reader’s novel Expedition Venus (1962), an unmanned probe returning from Venus crashes in Africa, accidentally releasing a dangerous spore that flourishes in terrestrial conditions.
In Arthur C. Clarke’s Rendezvous With Rama (1972), the UP (United Planets) organization includes Mercury, Earth, Luna, Ganymede, Titan and Triton and conspicuously excludes Venus, which would have certainly been included in such a list in books written before the true conditions on Venus were discovered. Later, the book’s protagonist William Norton is described as having “distinguished himself during the fifteenth attempt to establish a base on Venus.”
In L. Neil Smith’s The Venus Belt (1980), part of an alternative history series, an unrestrained capitalist free enterprise culture makes a huge success of colonizing the asteroid belt and decides to blow up and smash to pieces the “utterly useless planet” Venus so as to create a new Asteroid Belt (hence the book’s name). The narrator, originating from our own world, gloats over the outrage which conservationists would have expressed over this act. (The planet-smashers evidently did not make a very thorough survey of how the rest of Solar System would be affected by such a far-reaching step, nor did they try to find if Venus might have life fitted for its own conditions.)
In Blue Mars by Kim Stanley Robinson, it is briefly noted that humans are planning to use a parasol to diffuse or block the sunlight from Venus, causing the atmosphere to condense to the surface as dry ice, where nano-machines will encase it under the oceans under a blanket of nano-engineered diamond. Metallic drivers are being used to increase the spin of Venus to something like a Terran week per rotation. These ideas are expanded on in Robinson’s 2312.
In Stephen Baxter’s Manifold: Space, Venus is found to have been purposely slowed down through the use of planet-covering superconducting cable. In the novel Exultant of the Destiny’s Children series, the Venus of an entirely different universe has been turned into a vast carbon mine, its atmosphere depleted.
In Larklight Venus is home to many varieties of plant life, some are even sentinent. An experiment by the British Government led to all but one of the 20,000 colonists turning into Changeling trees in 1837. In Mothstorm they are finally turned back in 1852 Easter. Venus contains some sentinent plant life.
In Lucian’s True History the war between the King of the Moon and King of the Sun was started when the King of the Sun tried to stop colonisation of the Morning Star.
“I Am the Doorway”, short story by Stephen King, (published in the March 1971 Cavalier magazine, later in 1978 Night Shift).
Comics and manga[edit]

The Buck Rogers comic strip included several story lines related to Venus, starting with the Sunday sequence “Marooned on Venus” (12/7/30 to 7/12/31), featuring teenage protagonists Buddy and Alura.
The Hydrads of Venus, who resemble huge animated sponges, appear in Planet Comics, in the Lost World section. If hurt, water can restore them to health. Though opposed to the Voltamen who have invaded Earth, they are also enemies to Hunt Bowman.
Venus features prominently in the British comic Dan Dare (original run 1950–1967). Dan Dare’s Venus was divided into two hemispheres, north and south, separated by a “flamebelt” of burning gases. North Venus was the home planet of the hyperintelligent, dictatorial Mekon, Dare’s arch-enemy, as well as his people, the Treens. South Venus is inhabited by a different people, the Therons. The Treens are green, and mostly emotionless. Descendants of humans abducted from Earth millennia ago are slaves to them. Venus may have been a comment on the divisions of North and South Korea.
Action Comics No. 152 portrays Venusian’s civilization as a futuristic version of Earth’s, and Venusians as humanoids who have adopted English as their planetary language (Act No. 152, January 1951: “The Sleep That Lasted 1000 Years”).
Superman No.151 on the other hand, portrays Venusian life humorously, depicting Venus as a world inhabited by cute “tomato girls,” “pumpkin men,” “cucumber men,” and other comical “plant-beings” (February 1962: “The Three Tough Teenagers!”).
Venus is Cosmic King’s native planet (S No. 147/3), August 1961: “The Legion of Super-Villains!”, and the place where Van-Zee and Sylvia lived prior to taking up residence in Kandor (SGLL No. 15, February 1960: “The Super-Family of Steel!” pts. I-III—”Super Husband and Wife!”; “The Bride Gets Super Powers!”; “Secret of the Super-Family!”).
In November–December 1948, Superman journeys to Venus to obtain an exotic Venusian flower as a gift for Lois Lane (S No. 55/2: “The Richest Man in the World!”).
In January 1951, Dr. Dorrow attempts to exile Superman and Lois Lane to Venus by shutting them inside transparent cylinders filled with “suspended animation gas” and launching them into outer space, but Superman and Lois are released from their cylinders by friendly Venusians and soon succeed in returning to Earth (Act No. 152, January 1951: “The Sleep That Lasted 1000 Years”).
In December 1953, when a meteor is about to destroy Venus, Superboy smashes it and visits Venus to quench his thirst. Upon returning to Smallville, he unknowingly brings back a Venusian spore that grows rapidly into a tree. The tree’s strange odor begins to affect the population, making them behave strangley or act out dreams. Superboy uproots the tree, hurls it into space and solves the problem of the alien tree’s aroma (Superboy No. 29, December 1953: “The Tree that Drove Smallville Wild!”).
In February 1962, Superman flies a juvenile delinquent to Venus and threatens to abandon him there as part of his plan for teaching the young troublemaker a richly deserved lesson in good manners and respect for others (S No. 151/1, February 1962: “The Three Tough Teen-Agers!”).
In the DC Comics universe, Venus is home to millions of mind-controlling worms which might have once ruled Earth, such as Mister Mind (1943), an enemy of Captain Marvel. It is also the homeworld to the villain Cosmic King (1961), who was banished for performing transmutation experiments. As shown in the Wonder Woman 1,000,000 special, it is also the potential future home to the Amazons in that universe in the 853rd century. In Golden Age Captain Marvel stories Venus was the base of Sivana, the mad scientist. It is inhabited by giant frog-like amphibions and somehow the Sivana family hold royal status there. All of Sivana’s four children spent most of their life growing up on Venus, and in early stories it appeared like a safe haven for Sivana. It contained many prehistoric beasts, which Sivana once tried importing to Earth to make a circuis.
In the Golden Age Showcase #23 (the one with Green Lantern) the planet was populated by blue-skinned humanoid cave dwellers and yellow pterodacyl-like predators called Bird-Raiders, which are sealed in a cave by Green Lantern, after he is sent by the Guardians operating through his power battery, to prevent the humans being wiped out..
In the English adaptation of Black Magic, one of Masamune Shirow’s earlier works, a habitable Venus several millions of years before the present is used as the principal setting. It is home to a technologically advanced civilisation of humans and human-like beings. It is implied that the planet later somehow deteriorated into its current (real-life), uninhabitable state.
In the manga Venus Wars, an ice asteroid designated Apollon collides with Venus in 2003. This has the effect of dispersing much of the planet’s atmosphere, adding enough moisture to form (acidic) seas, and speeding up its rotation to give it a day that matches its year. Simply put, due to an unlikely yet scientifically sound accident, it takes amazingly little effort for humans to make the planet marginally habitable – the first manned ship lands in 2007, colonization begins in 2012.
In Sailor Moon, Sailor Venus, also known as Minako Aino, was once the princess of Venus. Magellan Castle, named after the Magellan probe, is where the princess and royal family lived on Venus and ruled over a race of Venusians prior to the events in the manga. While the inhabitants of Venus are not explored, the character of Adonis in Codename: Sailor V is also from Venus. All of Sailor Venus’ attacks are energy based on love.
In DC Comics All-Star Comics #13 the JSA are gassed by Nazis and rocketed to different planets. The goddess Aphrodite directs the rocket bearing the unconscious Wonder Woman to the planet Venus, and the Amazon is brought before Queen Desira of the race of Fairies who live there, who immediately recognizes her as the oracle of Aphrodite. Wonder Woman is asked to help battle giant men-warriors, who are killing and capturing the men of the planet. In a series of desperate adventures, Wonder Woman defeats the warriors and is given the gift of magnetic hearing by the Queen.
In one Super Goof comic, the Beagle Boys trick Super Goof into believing there is a river of gold on Venus, and then steal his return-trip supply of super-peanuts (replacing it with a sack of shell-fragments) which they then use to temporarily get similar superpowers. When Super Goof and Gilbert reach Venus, Gilbert finds the substitution — and puts one super-peanut which he has in his hat in the clouds (producing a bush of huge peanuts within minutes). The two do find what appears to be a river of gold (which the Beagle Boys find out about through a spy-eye which has tracked Super Goof for some time) and then rush there to stop him and Gilbert from returning — but are stopped when Super Goof takes a pipeline (made from the bush that sprouted) and aims some of the stream’s liquid at them (which Gilbert has found is actually liquid cheese), who then takes them back to earth and turns them over to the police.
In one Flash Gordon comic, Flash visits a friend on Venus — and has much difficulty from this friend’s rowdy son Reynaldo (Venusians in this comic breathe water — an ability the half-Venusian Reynaldo has inherited) after the latter kills one of his father’s dolphins.

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